San Diego LGBTQ+ Events

Object Type: Folder
In Folder: LGBTQ+ Events

Q0177 Benefit for the Cuban Lesbian Fund (1981)

A poster with a purple and red rose wrapped in barbed wire infant of a fence. The text at the top of the page reads, “BENEFIT FOR THE CUBAN LESBIAN FUND.” Underneath in small black text reads, “Produced by Lesbians for Political Action and Lesbians of Color.” Text to the right of the rose, “Hundreds of Cuban women went from Cuban prisons to American detention centers. Their crime? They are lesbians. Cientos de mujeres de Cuba theron de prisiones Cubanas ha centers de detention en los Estados Unidos. Su crimen? Son lesbianas. Bailes para mujeres el día de los enamorados/Women’s dance valentine’s day 1981. Sábado, 14 de Febrero / Saturday, February 14. Community Arts Bldg. 860 Third Avenue (2nd Floor) 8:30PM-?" Smaller black text underneath reads, “Se venden Boletos de anticipation $4.00 En la puerta $4.50 / Advance: $4.00 ,At the door: $4.50. Boletos/Tickets: Baobab International], The Women’s Store, Womancare, Amazon Sweet Shop, Plum’s Books, CWSS, The Bookmark. Se cuidan niños y sí se requiere/ Childcare and (icon of person in a wheelchair, presumably meaning accessibility) by request: 282- 8510 or 298-9352.” Bottom bold pink text reads, “Beneficio Para Las Lesbianas Cubanas.” Smaller black text underneath reads, “Produced for Lesbians para Acción Politico y Lesbians de Color.” Horizontal text on the far left reads, “Arte del dibujo/Graphic design: Ellen Gavin, Joyce Marcus and Connie Jeung-Mills."

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Q0228 Last Call At Maud’s (1993)

A black and white poster with a yellowing background. A black bar with white text is at the top and bottom of the poster. White text reads, “Incisive…Informative…Entertaining…Engaging. Kevin Thomas, Los Angeles Times.” Smaller black text underneath continues, “‘Warm-hearted & Honest. A significant piece of gay history.’ Stephen Holden, New York Times; ‘Buoyant Spirit & Engaging Humor. Being a dyke rarely seems this much fun on film.’ Elizabeth Pincus, San Francisco Weekly; ‘Impressive, Well-researched, undogmatic look at the twilight Lesbian world from the 40’s to now.’ Derek Ellen, Variety; ‘Lively & Robust. A rarity…change viewed through a lesbian perspective.’ Edward Guthmann, San Francisco Chronicle; ‘Recounts the sexy secrecy of the early scene. What makes it so interesting are the intersections of the sweep of history with the smallness of one social circle. The cultural moment and the tiny bar stand off, each alternately throwing down a card across the notion of history, each card changing the game.’ Martha Baer, Village Voice; ‘Lively & Loving..and you don't have to be a local to be warmed by its spirit.’ Jay Carr, Boston Globe; ‘This Extraordinary & Ambitious documentary contains the stuff of history and legend.’ Deborah Peifer, Bay Area Reporter; ‘Full of Wit, Zaniness & Outlaw Pride.’ John Hartl, Seattle Times; ‘This is a Cool movie.’ Nancy, Girl Mag.” To the right is a greyscale photograph of five people sitting at a table with drinks. They are all wearing different outfits. Everyone but the middle person is looking at the camera. Black text underneath the photograph reads, “Last Call at Maud’s; A documentary film directed by Paris Poirier, Produced by Karen Kiss & Paris Poirier.” Underneath is a small black box titled “Short Takes.” Smaller black font inside the box reads, “Last Call at Maud’s. Some genuinely wild women —- and some more demure but no less lively types — take center stage in Paris Poirier’s vivacious documentary about the life and times of Maud’s, the longest-running lesbian bar ever. This venerable San Francisco hangout opened in 1966 when homosexuality was still very much in the closet, and flourished throughout the ‘70s and ‘80s, only to shut don in 1989, a victim of the post-AIDS clean-and-sober ethic. In between are many provocative personal stories of coming up, sexual politics and softball, along with the flashbacks of the Hollywood gay bars of the ‘40s and the vice raids of the ‘50s. A witty and informative look at cultural evolution in the making. Three stars (not rated) 76 invites — Lisa Jensen, Good Times Santa Cruz.” The signature of Paris Poirier is written in blue marker and overlays the box. Black text at the bottom of the poster reads, “Ken Cinema 4601 Adams Ave. San Diego 283-5909; Nov 12-14 Nightly 5:35, 7:30 & 9:15 PM; Sat & Sun matinees 2:15 & 4 PM.”

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Q0230 Youth Out Loud! (2000)

A colored poster with a white border. The background photograph of the poster depicts a young person sitting at a school desk in a classroom. A waving American flag is photoshopped on the top half along with a cut out of a school bus layered on the flag. Black text at the top right reads, “Featuring music by Randi Driscoll - The Indigo Girls - The Watergypsies.” Graphic arts style text in the center of the poster reads “Youth Out Loud! (C) 2000 SMVP; A documentary addressing lesbian, gay, bisexual and transgender youth issues in our schools.” The icon of the Sun & Moon Vision Production a non profit film and documentary corporation is on the desk. A black box with white text is layered on-top of the bottom of the photo. Text inside the box reads, “Saturday September 16 @ 7:30 p.m. San Diego State University’s ‘Back Door Theater’ (in Aztec Center) Special Guest Performance by The Watergypsies; Tickets available at all Ticketmasters $10 general / $5 student for info please call 619~219-3668 www.sunandmoonvision.com.” Smaller black text under the box reads, “A VIP Reception will held @ 6:00 p.m. Call for an invitation 619~296-3668 VIP Tickets $75.” Black text on the bottom white border reads, “sponsored by: Lenny LaRicca of ‘Bird Crazy’, Reuel Olin and Bob Grinchuk of ‘The Wine Lover’, Imperial Court de San Diego, SDSU Women’s Resource Center, County of San Diego Health & Human Services San Diego HIV Prevention, San Diego Youth and Community Services, and San Diego Foundation for Change.”

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